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I bought one of the very first units to become available. “I experimented with one or two cheap USB edit controllers,” said Craig, “but, around the same time I started to get a grip on Non Linear Editing, X-Keys released their backlit 68 key USB Jog/Shuttle. This legendary Edit Controller emulated the look and 'feel' of a traditional Kem or Steenbeck flatbed film editor on your computer.
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“One of the reasons the Lightworks NLE appealed to me as a first time editor transitioning from Video Tape or Film editing,” he said, “was that the software was designed around a hardware device called a 'Console'. But, even this could not match the dedicated ergonomics of the Sony BVE Jog/Shuttle controller.” “This totally transformed my workflow,” he said, “I was able to map specific shortcuts to the X-keys, leaving the keyboard free for text entry.
“But, from what I could see, no such controller was being used in digital non-linear editing.”Ĭraig spotted a second-hand X-keys keypad on eBay and bought it for experimentation. An entire bank of VTRs could be controlled with only this simple Jog/Shuttle device and a dedicated keyboard,” he said. “One of the video editing tools I had come to appreciate was the ergonomic Sony BVE edit controller. Two sources I highly recommend are the Lift Gamma Gain forum and RedShark News." Finding his most valuable resources in online forums and blogs, Craig says, “If you are prepared to swallow some pride and ask a few basic questions, many forum contributors have been in the industry for a very long time so have an enormous wealth of knowledge they are happy to share. The client also requested ‘Maybe a little bit of video too?’ The industry had progressed a bit since my analogue SD Betacam days, so I undertook a crash course in digital HD video production,” said Craig.
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“Around 2012, I was awarded a contract to shoot still photography for a series of National parks.
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“After ten years in the rainforest,” Craig said, “I sold my Betacam SP post production facility with its ten full time camera, post, and graphics staff.” He left the production industry and took up sales oriented positions for various broadcast, film, and television equipment manufacturers. That would eventually lead to setting up and operating the first television channel in a tropical south Pacific country where the population had previously known only radio. He built a mobile recording and film studio in an old two-ton caravan, and took it on the road shooting Super 8 documentaries. “I enjoyed the technical aspects of film making,” he said. I cannot imagine editing any video or audio without one.”Ĭraig Marshall, Owner of independent production facility HDVideo4K, found his start in still photography and Super 8 film in the late seventies. Post Production with Lightworks NLE and DaVinci Resolve
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